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Places of Interest :


Qutub Minar
Qutab-ud-din Aibak, the first Muslim ruler of Delhi, commenced the construction of the Qutab Minar in 1200 AD, but could only finish the basement. His successor, Iltutmush, added three more storeys, and in 1368, Firoz Shah Tughlak constructed the fifth and the last storey. The development of architectural styles from Aibak to Tughlak are quite evident in the minar. The relief work and even the materials used for construction differ.

The 238 feet Qutab Minar is 47 feet at the base and tapers to nine feet at the apex. The tower is ornamented by bands of inscriptions and by four projecting balconies supported by elaborately decorated brackets.

Even in ruin, the Quwwat Ui Islam (Light of Islam) Mosque in the Qutab complex is one of the most magnificent in the world. Its construction was started by Qutab-ud-din Aibak in 1193 and the mosque was completed in 1197. additions were made to the building by Iltutmush in 1230 and Alla-ud-din Khilji in 1315.

The main mosque comprises of an inner and outer courtyard, of which the inner is surrouded by an exquisite collonade, the pillars of which are made of richly decorated shafts. Most of these shafts are from the 27 Hindu temples which were plundered to construct the mosque. It is, therefore, not surprising that the Muslim mosque has typical Hindu ornamentation.
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Red Fort :-
Red Fort is one of the most magnificent palaces in the world. India's history is also closely linked with this fort. It was frorth here ht the British deposed the last Mughal ruler, Bhadur Shah Zafar, marking the end of the three century long Mughal rule. It was also fromits ramparts that the first prime. Minister of India, pandit Jawharlal Nehru, announced to the nation that India was free form colonial rule.

The mughal emperor, Shah Jahan, after ruling from Agra for eleven years, decided to shift to Delhi and laid the foundation stone of the Red Fort in 1618. For its inauguration in 1647, the main halls of the palace were draped in rich tapestry and covered with silk from china and velvet from Turkey. With a circumference of almost one and a half miles, the fort is an irregular octagon and has two entrances, the Lahore and Delhi Gates.

Form the Lahore Gate, a visitor has access to the Chatta Chowk (vaulted arcade ) which as once a royal market and housed court jewelers, miniature painters carpet manufacturers, workers in enamel, silk weavers and families of specialized craftsmen. The road from the royal market leads to the Nawabarkhana (band house) where the royal band played five times a day. The band house also marks the entry into the main palace and all visitors, except royalty had to dismount here.

The Diwani-I-Am is the Red Fort's hall of public audience. Built of sandstone covered with shell plaster polished to look like ivory, the 80 x 40 feet hall is sub-divided by columns. The Mughal emperors would hold court here and meet dignitaries and foreign emissaries. The most imposing feature of the Diwqani-I-Am is the alcove in the back wall where the emperor sat in state on a richly carved and inlaid marble platform. In the recess behind the platform are fine examples of Italian pietra-dura work.
Residence of the senior queens, the Rang Mahal (hall of colours ) has a central hall surrounded by six apartments. The apartments are assured privacy by intricately carved screens which do not hinder the free flow of fresh air and light. The stream of paradise flows through the main hall, and is marked in the centre by a huge lotus shaped marble basin with an ivory fountain.

Constructed by Emperor Aurangzeb in 1662 as his private mosque Moti Masjid (pearl mosque) is built with highly polished marble. The mosque is a good example of the Mughal fetish for symmetry with cusped arches, sinuous decorative designs, carved cornices and bulbous domes.

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Purana Quila

Covering a circuit of about a mile, the walls of the fort have three gates and are surrounded by a mat fed by the river Yamuna.

The wall was built by Humayun while the buildings in the fort are attributed to Sher Shar. The notable buildings that have survived in the fort are the Sher Mandal and the Quila-I-kholina Mosque. Sher Mandal is a two storeyed octagonal tower which was used by Humayun as his library. The mosque, built around 1541-42, is a landmark in Indo Islamic architecture.
The architect has shown skill by enriching each part with moulding, bracketed openings, marble inlay, carving and other establishments. A variety of materials have also been used to construct the small mosque (168 x 44 feet). The entrance arch is of marble, the spandrels of red sandstone studded with marble bossed, the columns and pilasters of black and white marble.

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Under patronage from the emperor, he set on himself the task of correcting the existing astronomical tables and updating the almanac with more reliable instruments. Delhi's Jantar Mantar is the first of the five observatories that he built with large masonary instruments.

At first sight, the Jantar Mantar appears like a gallery of modern art. It is, however, an observatory. Sawai Jia Singh II of Jaipur (1699-1743), a keen astronomer and a noble in the Mughal court, was dissatisfied by the errors of brass and metal astronomical instruments.

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India Gate

Located on Rajpath, the road which leads to the magnificent Rashtrapati Bhawan, the gate is 160 feet high with an arch of 138 feet.

Built as a memorial to commemorate the 70,000 India soldiers killed in World War I, India Gate was designed by Sir Edwin Lutyens and completed in 1931.Built from sandstone, the arch also houses the Eternal Flame, a gesture in memory of the Indian soldiers who laid their lives in the 1971 war with Pakistan.

 

 




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